[by Ken Hunt, London] 2016 proved to be a particularly good year for the roses. Well, the artistic ones at least. (In England the garden roses and the garden as a whole suffered somewhat thanks to the English climate’s vagaries of rain and sunshine.). Nevertheless, it truly was a year to remember musically. That was assisted by chance musical encounters that made me stop and stare and listen.
31. 12. 2016 | read more...
[by Ken Hunt, London] As years go, 2015 was one that over and over again plucked some remarkable rabbits out the magician’s hat. That’s what keeps me keeping on. A note on the process when it comes to these decisions. Part of it is to do with whittling.
31. 12. 2015 | read more...
[by Ken Hunt, London]Like some misbegotten mantra, I usually say that the year started slow. Happens year after year after year after blooming year. For 2014 that applied particularly in terms of live performances. In the annual polls to which I contribute I am fully aware that what my bread-and-butter music diet is will never register in anything anywhere apart from here.
31. 12. 2014 | read more...
[by Ken Hunt, London] It is a warm, sunny afternoon in September 2004. I am sitting on the steps outside Brno’s railway station scrutinising each tram because one will bring my interpreter, Irena Přibylová. Trams come and trams go. As always, I am writing and observing. I scribble “The drunks hang round the station/Each begs his ‘daily bread’.”
10. 9. 2014 | read more...
[By Ken Hunt, London] The Summer of 2013 saw the 30th Anniversary Edition of Billy Bragg’s Life’s A Riot With Spy Vs Spy. It counts as a landmark release in the history of British political song, even though its most enduring morsel in the wider popular consciousness is A New England – a song that Kirsty MacColl covered so well and took into the UK Top Ten in 1985. At the time of its release Margaret Thatcher was at the helm of her ship but hell-bent on stormy weather ahead. In 1984 the seismic Miners’ Strike would forever reshape Britain’s political contours.
17. 8. 2014 | read more...
[by Ken Hunt, Ostrava, Vienna and London] A fortnight before the festival happened, The Prague Post informed readers that Colours of Ostrava is “the Czech Republic’s top summer music event”. Impressions from attending the festival serve to confirm that indisputably it is. Ostrava is in the top right of the country. Poland is 15 km away and the Slovak Republic 55 km distant. Inevitably therefore it is a festival that attracts an international audience. Ten years after the festival’s founding, in 2012 it switched locations in Ostrava and since then has taken place in Ostrava’s Vítkovice district. Its new setting is one of preserved industrial ‘dereliction’ – aka a UNESCO heritage site. And to mangle the Four Seasons’ comeback hit, ‘Oh, what a site!’
1. 8. 2014 | read more...
[by Ken Hunt, London] 2013 in all its glory from the personal perspective of a herbert on the music critic’s treadmill. The selections are built up over the course of the year from the first day of January to the last day of December in order to avoid what all too frequently happens with end-of-year polls. Meaning, great stuff from the beginning of the year gets squeezed out of people’s memories.
31. 12. 2013 | read more...
[by Ken Hunt, London] Another fine year for music. The evidence of this list to the contrary, much of 2012 flashed by in a blur owing to illness in the family that wiped out most of the year’s listening hours. As to recorded music, the pile of unlistened to music grew, thanks to having to prioritise paid reviewing work. Yes, strange though it may seem, if one’s livelihood depends on paid writing, it is astonishing how a paying commission focuses the mind. And this is just the best logged over the course of 2012. No doubt it excludes recordings that still await their time to be heard.
31. 12. 2012 | read more...
[by Ken Hunt, London] What a year for music! The number of events of 2011 on this list is greedy by most annual polls’ standards. One of the continual difficulties for me is that, because I am writing in a variety of periodicals and newspapers across a variety of musical genres for a number of territories, wonderful stuff just gets continually squeezed out. I mean, in this brave new world of world music, nobody wants ten roots-based Czech or Hungarian albums or Indian classical or English or even European folk albums…
31. 12. 2011 | read more...
[by Ken Hunt, London] The Rahul Dev Burman story actually begins eight years before his birth on June 27, 1939, in Calcutta; new chapters continue to be added years after his death in Bombay on January 4, 1994. The Indian film business was revolutionized in 1931 by the arrival of the nation’s first talkie, Alam Ara (Light of the World). This groundbreaking film was the first to use music to create an egalitarian lingua franca that united paying audiences in a nation divided by linguistic abundance.
20. 6. 2011 | read more...