[by Ken Hunt, London] March’s stuff and nonsense comes from Mickey Hart and chums, Joni Mitchell, The Carolina Chocolate Drops, Bob Bralove and Henry Kaiser, Wajahat Khan and the Medici String Quartet, The Six and Seven-Eights String Band, Jo Ann Kelly, Dillard & Clark, Farida Khanum and Sohan Nath ‘Sapera’.
11. 3. 2010 |
[by Ken Hunt, London] The doom and gloom of recession and depression, inflation and deflation affected people’s lives enormously during 2009. Some say it put dampeners on life. Musically though, on balance it was a year of hope, despite losses.
2. 1. 2010 |
[by Ken Hunt, London] In 1998 Alim Qasimov appeared at Tanz&FolkFest Rudolstadt. He was pretty much an unknown quantity. His recordings were little known outside the Azerbaijani domestic market or France and Switzerland. Qasimov truly was a Francophone find. Queuing outside the Landestheater the German Liederdichter – poet-songwriter – Christof Stählin and I got to talking and he recommended Alim Qasimov’s concert at the town church in a way that brooked no dissent. Once again, I must credit Christof with one of the musical discoveries of my life.
15. 6. 2009 |
[by Ken Hunt, London] England and the world have their William Shakespeare. Russia and the world have their Alexander Sergeyevich Pushkin. Elsewhere, when it comes to the international stage, few nations have produced a literary giant to compare with Scots poet-sangster Robert Burns (1759-1796). Likely as not, time will see Bob Dylan as similarly internationalist but that is a judgement for posterity not for here and now, for none of us will ever know that with the certainty that we can say that of Burns, Pushkin or Shakespeare in our lifetimes. That is not to say that Burns had an easy ride during his lifetime or his work has had an easy passage since his death. There is a lot of tartan and haggis out there to sidestep.
12. 3. 2009 |
[by Ken Hunt, London] Wherever there is a successful film industry, like the penumbra to the klieg lights, film magazines will mushroom in order to feed people’s apparently insatiable appetite for news – planted or otherwise – and tittle-tattle. In the Anglophone world, from Picture Show (when ‘picture’ was the British Empire equivalent of ‘movie’) to the “Hollywood girls and gags!” of Movie Humor, cinema was well served from the silent era onwards. But India’s was, is and shall ever remain a special case.
3. 3. 2009 |
[by Ken Hunt, London] Chancing upon the final-cut premiere of Alex Reuben’s film Routes was kismet. Alex Reuben is a DJ and filmmaker – British out of Ukrainian Jewish stock – with shorts like Big Hair (2001) and A Prayer From The Living (2002) to his credit. “I was a DJ so that’s how I started making films,” he tells me in Prague “Through the money I made DJing, that’s how I made films. All of the films are related to DJing in some way. More in the method I make them, though.”
14. 2. 2009 |
[by Ken Hunt, London] It is October and the time of the season that has nothing of the Zombie or indeed Golem about it. Sitting in U Zavěšenýho, one of Prague’s minor miracles of a watering hole a stone’s throw from the castle, I am writing up notes about Prague’s MOFFOM (Music on Film Film on Music) festival. Loquacious as ever, I get into conversation with a French student from Grenoble. She is studying cinema in the city and studying film in this city makes total sense. Learning that I am working at the festival, we exchange viewing plans. Half an hour vanishes just talking about film and Prague’s cinemas. Her boyfriend has come from France to partake too. I leave them with a jaunty tourlou, a toodlepip, and carry off some wonderful insights into another cinéaste or cinephile nation’s appreciation of what we call in Czech pukka kino (‘true cinema’).
14. 2. 2009 |
2008 was one of the greatest music years of my life, full of fresh discoveries and confirmations of vision and talent still shining brightly. New releases. Historic releases, reissues and anthologies. Events.
30. 1. 2009 |
[by Ken Hunt, London] Getting paid for something you’d be doing anyway is a rare privilege. Making
a decent living doing it is an altogether different mater, which is
why we present the fine things from 2007 that made our lives finer and
nourished our minds. These are the things that gave us the greatest
pleasure musically speaking.
14. 12. 2007 |
If you want to hear some genuine Czech world music, listen to Antonin Dvorak or Leos Janacek. These guys knew well how important are the folk tunes for the healthy musical growth and development. But elaborating folk melodies into symphonic setting and bringing them into monumental opera houses inevitably prompts the overkill effect. The folk music looses its spark and appeal, the young generation searches for undiscovered pleasures until somebody reinvents the old time dances and ballads and brings them back into spotlight. The great folk revival that naturally evolved in Ireland, later caught a fire in Scandinavia and now is bearing its fruits in Spain and Hungary, has still a long time to go in the Czech lands. The coals are just starting to glow now – and opera is not the only thing to blame for the late start.
8. 10. 2001 |
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