[by Ken Hunt, London] Imagine an ideal world in which no two concerts by a principal song-delivering vocalist were ever the same. That would mean repertoire, in fact an extraordinary breadth of song repertoire and, naturally, the interaction between composed and spontaneous composition – not just jamming or busking it.
19. 11. 2012 | read more...
[by Ken Hunt, Prague] Rabindranath Tagore (1861-1941, Rabindranath Thákur for my Czech readers) was the all-original singer-songwriter – before the term existed – with the folk poetry touch, a poet-bard who in Scots would be called a makar. He had melody purloining skills to make Woody Guthrie blush. In an era of luxury liners and Pullman trains, he travelled probably about as widely as was possible in that pre-David Attenborough era.
14. 11. 2011 | read more...
[by Ken Hunt, London] In July 1991, the first year that Tanz&FolkFest Rudolstadt was staged, just like the 2010 ‘edition’, it took place under blue skies in baking temperatures. The 1991 bill served up plenty of scope for serendipitous discoveries of the new kind and reacquainting oneself with familiar acts. Bernhard Hanneken’s festival programming for the 2010 festival did something similar in spades – only to surfeit degrees (let’s not talk of lampreys) – with 27 stages scattered over the town.
22. 8. 2011 | read more...
[by Ken Hunt, London] By any standard, she is one of the greats of popular music. He is, in my opinion and that of many others’, the finest sitarist of his generation, with a work ethic and melodicism drilled into him through studying sitar with his father, the legendary – for once the word is deserved – Vilayat Khan and working as a Bollywood session musician.
15. 8. 2011 | read more...
[by Ken Hunt, London] The Great Folk Jukebox was billed as “A Tribute to Singing Englishmen with Marc Almond, Bishi, Green Gartside, Bella Hardy, Robyn Hitchcock, Lisa Knapp, Oysterband & June Tabor” (with, as the Oysters’ John Jones quipped, “the beast that is Bellowhead” – nine thereof – as house band). The ‘Singing Englishmen’ part was a doffing of the cap to a Festival of Britain concert held on 1 June 1951.
8. 8. 2011 | read more...
[by Ken Hunt, London] Nigel Kennedy’s late May 2010 flourish, his Polish Weekend at the Southbank Centre, brought together an array of Polish jazz and musical talent that included Kennedy’s Orchestra of Life (playing Bach and Ellington), Robert Majewski, Anna Maria Jopek and Jarek —mietana. Tucked away in the early Sunday afternoon slot was the Piotr Wylezol Quintet. A relatively recent development, aside from the band’s pianist-leader, it comprised Krzysztof Dziedzic on kit drums and Adam Kowalewski on double-bass, their fellow countryman Adam Pieroe
25. 7. 2011 | read more...
[by Ken Hunt, London] The Royal Oak is home to one of the finest folk clubs in the south of England. It epitomises so much about the English folk club set-up. It takes place on Thursdays while not far away the Elephant & Castle at White Hill in Lewes hosts the weekend Lewes Saturday Folk Club. The Royal Oak’s guests regularly include the cream of established of artists. Between March and May 2011 bills featured Tom Paley, Martin Carthy & Chris Parkinson, Jez Lowe and Tim Laycock as the main guests. Yet it is one of those clubs, like Sheila Miller’s Cellar Upstairs folk club in Camden in north London, like Sheila Miller’s Cellar Upstairs folk club in Camden in north London, that balances established and new acts so well. This night the honours fell to Marry Waterson and Oliver Knight.
16. 5. 2011 | read more...
[by Ken Hunt, London] An Evening of Political Song, explained the Southbank literature, “drew upon a rich history of political song” before, sigh, spoiling things slightly by lamely billing this night in Richard Thompson’s Meltdown as “a night of songs in the key of revolution and protest”. Still, mustn’t grumble, ‘political song’, as dictionary definitions go, is about as precise as ‘folk song’ in its handy one-size-fits-all solution to issues that just won’t go away.
20. 12. 2010 | read more...
[by Ken Hunt, London] 
Ali Akbar Khan shuffled on stage with a walking stick, reasonable given he was one week away from 81. By night’s end, all memories of the frail character that had mounted the dais at the concert’s beginning had vanished. Swapan Chaudhuri, one of the most exceptional tabla players alive, provided the percussive accompaniment – a job a bit like catching eels with bare hands. He has an uncanny knack of being able to match and bat back this sarodist’s glorious spontaneity. Alam Khan was the second, junior sarodist but he coped brilliantly with his father’s senior waywardness.
21. 6. 2010 | read more...
[by Ken Hunt, London] Say you woke up one morning and the smell wasn’t coffee but the stench of something having gone off. What would you do? It happened to Leonard Cohen while he was on retreat at the Mount Baldy Zen Center in southern California’s San Gabriel Mountains. With a sheaf of law suits behind him, Cohen’s remedy was to hit the road, drumming up new interest by touring and giving audiences what they wanted. He picked himself up, brushed himself down and started all over again – sensibly chronicling the process with the revenue-injecting CD and DVD Live in London from the O2 venue in London in July 2008.
19. 7. 2009 | read more...