[by Ken Hunt, London] Another strange year spent thinking, living, breathing and writing about Martin Carthy for Prince Heathen. All I shall say to the subject is Alan Garner’s Treacle Walker came out in 2021 after a fair few years of writing. A quote of Alan’ll probably appear in Prince Heathen as a watchword. Little of the 2021 assembly sounds on the face of it as if it ostensibly anything to do with Martin. Wait. (Much of it doesn’t much of it does.)
1. 1. 2022 | read more...
[by Ken Hunt, London] 
Even as she juggles an extensive repertoire and audience expectations, Eddi Reader is the sort of performer who gives one-off performances. Celebrating four decades as a professional musician whether as a name soloist, the lead vocalist in the successful group Fairground Attraction or going back to singing, apparently, with the likes of the Eurythmics and The Waterboys, what she delivers is bespoke and draws on an astoundingly impressive trove of material, traditional, original and covers.
18. 11. 2021 | read more...
[by Ken Hunt, London] 
What was the last live gig you saw before Covid-19 brought live music in front of audiences juddering to a standstill? Mine was Yorkston Thorne Khan’s London concert on 11 March 2020. It was the start of their tour promoting their third album, Navarasa: Nine Emotions. YTK are James Yorkston on nyckelharpa (Swedish keyed fiddle), 6-string guitar and vocals, Jon Thorne on double-bass, 6-string guitar and vocals, and Suhail Yusuf Khan on sarangi and vocals.
24. 10. 2021 | read more...
[by Ken Hunt, London] Another year of writing, though ever fewer outlets didn’t bother me unduly. 2019 still meant masses of musical discoveries, reaffirmations and new historic explorations.
9. 1. 2020 | read more...
by Ken Hunt, London] Peggy Seeger wrote an autobiographical self-portrait in song overnight between Sheffield and London in 1973. In the booklet notes to her CD, The Folkways Years 1955-1982, she clarified: “It was intended to answer those people who come up during the interval or after a concert, those who interview you on radio or want to do write-ups. It is an answer to the question about why a middle-class female from a comfortable background ..
1. 9. 2018 | read more...
[by Ken Hunt, London] With any selection of new Richard Thompson songs, there’s no knowing in whose company and in what straits listeners will be plunged. There might be a long-awaited cheap-suited estate agent or the borderline apocalyptic.
7. 8. 2018 | read more...
[by Ken Hunt, London] Much of Shelter was composed, if not conceived, in the relative seclusion of a cottage on the North Yorkshire Moors. Its accent is on self-written songs. Like the songs here, the artwork photos capture rural English scenes, Roman antiquities – as if reflecting her Florence (Firenze) birthplace (and the song Roman Holiday) – and, as with the visual backdrop to A Tree Grows In Brooklyn, a smidgeon of citified ways.
7. 8. 2018 | read more...
[by Ken Hunt, London] John Barlow became a cyber-guru and free speech advocate but when I first got to know him some – thanks to Eileen Law in the Grateful Dead office in the early 1980s, he was the second lyricist for San Francisco’s Grateful Dead. He wouldn’t have bleated about that that.
30. 7. 2018 | read more...
[by Ken Hunt, London] This is an adapted article, based on an interview with Zoe and Idris Rahman that we did yards away from the Royal Festival Hall on London’s Southbank in 2008 for Jazzwise. The focus was the newly released Where Rivers Meet. O, River also titled O nodi re opens Zoe and Idris Rahman’s Where Rivers Meet. It starts with a water ripple of piano
11. 2. 2018 | read more...
[by Ken Hunt, London] This column brings together Najma Akhtar, Iva Bittová & Čikori, The Byrds, DAgADAnA, Dillard & Clark, Dick Gaughan, Rhiannon Giddens, Kaia Kater, Eddie Reader and Wilson & Swarbrick.
10. 2. 2018 | read more...