Articles

Giant Donut Discs® – September 2009

Ken Hunt looks back on a wonderful month in music, advanced somewhat because of travel, provided by Amira Medunjanin and Merima Ključo, Bea Palya, Mike Seeger, Sachal Studios Orchestra, Tim Buckley, Faustus, Martina Musters-Musters, Johanna Huygens-Musters and Suzanna de Vos-Musters, Fernhill, Bai Hong and David Crosby. As ever, the ten selections are in no particular order and the only link is that none of them would go away.

26. 8. 2009 | read more...

Dewey Martin (1948-2009)

[by Ken Hunt, London] Neil Young once stated, “The great Canadian dream is to get out.” It was certainly what three fifths of Buffalo Springfield did when they joined the California-based rock group’s US contingent, Stephen Stills and Richie Furay. In 1966 Young and Bruce Palmer – the band’s original bassist – had headed south in a 1953 Pontiac hearse with Ontario plates.

25. 8. 2009 | read more...

Giant Donut Discs® – an introduction

[by Ken Hunt and Peter Bellamy: London] In 1986 after one of his concerts the English folksinger Pete Bellamy and I formulated the idea of Giant Donut Discs ®. It came out of a conversation about the wish to create a mutant version of Roy Plomley’s Desert Island Discs BBC radio programme – http://www.bbc.co.uk/programmes/b006qnmr – for the magazine Swing 51.

24. 8. 2009 | read more...

Simon Vinkenoog (1928-2009) “Let’s not make literature”

[by Ken Hunt, London] The Dutch counter-culture poet, writer and painter Simon Vinkenoog died in Amsterdam on Saturday, 12 July 2009, a few days before his 81st birthday. Born on 18 July 1928 in Amsterdam, Vinkenoog was the child of a lone parent family raised in the De Pijp part of Amsterdam’s Oud-Zuid (Old South) district.

7. 8. 2009 | read more...

Giant Donut Discs® – August 2009

Ken Hunt’s month in music – the stuff in no particular order that either wouldn’t let go or wouldn’t go away.

31. 7. 2009 | read more...

Ewan MacColl and Peggy Seeger’s The Paper Stage

[by Ken Hunt, London] Forty years or so ago, Ewan MacColl and Peggy Seeger released their most recondite project, the two-volume Paper Stage. It was reconstructions of the first Elizabethan Age’s theatre for the second Elizabethan Age. The original peddlers of these more unauthorised than guerrilla playlets in song left few traces and fewer fingerprints. All that survived was the printed page. Theirs was street theatre, the equivalent of graffiti artist Banksy’s Mona Lisa with a rocket launcher, or that Banksy rat sawing a getaway hole to freedom through the pavement.

29. 7. 2009 | read more...

Leonard Cohen, Mercedes-Benz World, Weybridge, England, 11 July 2009

[by Ken Hunt, London] Say you woke up one morning and the smell wasn’t coffee but the stench of something having gone off. What would you do? It happened to Leonard Cohen while he was on retreat at the Mount Baldy Zen Center in southern California’s San Gabriel Mountains. With a sheaf of law suits behind him, Cohen’s remedy was to hit the road, drumming up new interest by touring and giving audiences what they wanted. He picked himself up, brushed himself down and started all over again – sensibly chronicling the process with the revenue-injecting CD and DVD Live in London from the O2 venue in London in July 2008.

19. 7. 2009 | read more...

Desert Slide – a new chapter in Rajasthan’s age-old book of changes and musical adventures

[by Ken Hunt, London] Even by repute, people who have never been to Rajasthan and only ever saw photographs or artwork, Rajasthan is popularly viewed as a region saturated with colour. In its Great Thar Desert, soil, sand and salt lakes offer a palette of yellows, browns and reds. In its deciduous woodlands dhok and dhak – the tree known as the ‘flame of the forest’ – provide the seasonal mosaics of the forest canopy and forest floor and then there is the vibrancy of bougainvillea everywhere whether on the highways or streets. In its street markets full of chillies, mangoes, bananas and spinach, Rajasthan offers an abundance of saturated colours – and watery contrasts. Then factor in whether through raga or folk dance or mela (festival) how musically Rajasthan is affected by what is all around when musicians play.

6. 7. 2009 | read more...

Alim Qasimov and the domino principle

[by Ken Hunt, London] In 1998 Alim Qasimov appeared at Tanz&FolkFest Rudolstadt. He was pretty much an unknown quantity. His recordings were little known outside the Azerbaijani domestic market or France and Switzerland. Qasimov truly was a Francophone find. Queuing outside the Landestheater the German Liederdichter – poet-songwriter – Christof Stählin and I got to talking and he recommended Alim Qasimov’s concert at the town church in a way that brooked no dissent. Once again, I must credit Christof with one of the musical discoveries of my life.

15. 6. 2009 | read more...

Ralph Stanley & The Clinch Mountain Boys: Barbican Hall, London, 27 May 2009

[by Phil Wilson, London] Dr. Ralph Stanley – as he’s proud to be called these days – isn’t someone you’d necessarily describe as ’82 years young’, but he’s still in great form. There was a precautionary chair on stage at the Barbican, but he only draped his jacket over it, and even for the band members’ solo numbers and the instrumentals he remained standing and merely stepped back to allow them the spotlight.

5. 6. 2009 | read more...

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