Singing From The Floor – A History of British Folk Clubs
19. 2. 2016 | Categories: Articles,Lives
J P Bean
Faber & Faber
ISBN 978-0-572-30545-2
[by Ken Hunt, London] Britain's folk clubs must seem strange to anyone visiting them for the first time. They are an exceedingly British institution, only found on English, Northern Irish, Scottish and Welsh soil - or, allowing for poetic licence, on foreign soils as British forces' transplants, such as RAF Luqa's Malta Folk Club and the British Army on the Rhine. To interject a personal observation, the folk club equivalents in Eire, Germany, the Netherlands, Germany and the USA all have altogether different characters.
It was only in the second half of the 1950s that Britain's folk clubs started and a coherent folk scene began coalescing. Ironically the English Folk Song & Dance Society had been frantically dance-orientated. Yet [...]
Scott Barretta (editor)
Scarecrow Press
ISBN 978-0-8108-8308-6
[by Ken Hunt, Berlin] This fascinating gathering of writings from Israel G. Young appeared in 2013. The elder of two sons born to Polish Jewish parents in March 1928 on Manhattan's Lower East Side, he reveals himself as a clear-sighted and sometimes curmudgeonly commentator, catalyst and chronicler of the New York folk scene. (California and Europe barely get walk-on parts.) Izzy Young gravitated to New York's nascent folk music scene via the square dances of the left-leaning American Dance Group. He attended his first dance during the winter of 1944/45 and soon joined http://www.viagragenericoes24.com/venta-viagra the American Square Dance Group under the sway of its leader Margot Mayo. In February 1957 he obtained the [...]
[by Ken Hunt, London] As years go, 2015 was one of the finest. Over and over again it plucked some remarkable rabbits out the magician's hat. It's stuff like that that keeps me keeping on.
A note on the process when it comes to these decisions. Part of it is to do with whittling. Some 'holding entries' logged were gone by the end of the year. Some albums remain here because even though they did not necessarily overwhelm, in the long run they stayed on the play list. An example might be Los Lobos' Gates of Gold. In their canon it may be a "a fair to middling album" (according to my fRoots review) but I played it so much without making that special connection with the majority of its tracks.
The festival season brought further discoveries, consolidations and winnowings. It is no [...]
[by Ken Hunt, London] This month's collection is a mixture of project-related listening and music listened to just for pleasure. In the latter case that doesn't happen too often. On 5 July 2015 Shirley Collins celebrated her 80th birthday in London as All in the Downs but I was working in Germany on that date (see below). The assortment includes The 31st of February, Shirley Collins, Bert Jansch, Led Zeppelin, Mita Nag, Brian McNeill, Samira, Scotty Stoneman, Trollmusikken and Rhiannon Giddens
An occasional reminder. Giant Donut Discs is a bequest column. The singer Pete Bellamy granted Ken Hunt, the author's Swing 51 magazine the concept and column. It was a variation on an idea by the UK-based radio broadcaster, Roy Plomley (pronounced Plum'lee). The BBC Home Service first broadcast [...]
[by Ken Hunt, London] "How unseemly it is to follow anyone slavishly," was ECM's press release's free (one suspects) translation for the title track in 2013. Performing Muhlis Akarsu's Kula Kulluk Yakýîir Mı therefore could be perceived as a pointed choice since he died in a firebombing in 1993 aged 45 or so. He belonged to the Alevćlik (Alevi) sect. Within Islam, Alevism is seen as a Turkish- slash Turkish-diaspora-based Shia sect retaining Sufi colourings. Furthermore, Alevism espouses poetry, music and dance.
Erdal Erzincan plays the bağlama - the long-necked lute or saz anglicised as baglama while Kayhan Kalhor is the project's kamancheh (spike fiddle) player. As sometimes occurs with ECM releases in my specific areas of expertise or experience, this album misses the [...]
[by Ken Hunt, London] In 1955 North America's modern-era fascination with Hindustani music began with the advent of jet travel and the arrival of the sarod maestro Ali Akbar Khan in New York. By then, Shamin Ahmed Khan, born in Baroda, Baroda State (modern-day Gujarat) on 10 September 1938, had already met the musician who would transform his life.
In 1951 he met Ali Akbar Khan's brother-in-law, Ravi Shankar. Shamim Ahmed belonged to a family of hereditary musicians of the Agra Gharana. A gharana is a school and style of Hindustani classical music historically rooted in a specific place - Agra is in modern-day India's northern state of Uttar Pradesh. A boyhood bout of typhoid destroyed his singing range. He switched to sitar.
In December 1955 he met Shankar again in Delhi while [...]
[by Ken Hunt, London] One day before her third album Coracle's official release the Emily Portman Trio performed much of it a good number of songs at a Sunday lunchtime concert at the Riverhouse Arts Centre in Walton-on-Thames. A splendid, characterful venue yards away from the Thames, its barn-like interior is all wooden beams and half-timbered decorations.
It made for a stark backdrop for the Trio. Even with the sun shining outside, it suited Portman's songs from the womb to the tomb and their proclivity for seeking out dark spaces. In a real sense rather than touring the new album they were touring a triptych of The Glamoury (2010), Hatchling (2012) and Coracle.
The Summer 2015 touring trio comprised Emily Portman on vocals, concertina, banjo and ukulele, Rachel Newton on vocals, [...]
[by Ken Hunt, London] At the time of the inspirational illustrator Maurice Sendak's death, obituaries concentrated on his connections with Mozart, Prokofiev, Janáček and suchlike. On the occasion of the death of the US folksinger Jean Ritchie (1922-2015), it is time to remind about his bigger sound palette connections, notably one that coloured his early art. One commission revealed other musical tastes.
Sendak illustrated one of the most important, early books of the US Folk Revival, Jean Ritchie's Singing Family of the Cumberlands (1955). Ritchie, the book reminds, "born in Viper, Kentucky, in the Cumberland Mountains" in 1922, was an authentic voice whose repertoire like 'The Cuckoo She's A Pretty Bird' traversed folk into rock - to Janis Joplin, for example - and maybe even into R&B [...]
[by Martha Hawley, Amsterdam] Roberto Fonseca and Fatoumata Diawara passed through the Netherlands in May 2015, in the company of musicians from Mali and Cuba, stopping at the Music Meeting in Nijmegen, and in Amsterdam's North Sea Jazz Club, where I heard them. The North Sea Jazz Club is licensed to use the name of the sprawling North Sea Jazz Festival - both maintain a programming policy of jazz with a broad range, including Latin, African, funk, soul and more. The Club prides itself on giving big names the opportunity to perform in a small venue.
Roberto Fonseca and Fatoumata Diawara are well-matched to carry their musical roots forward, both having played with hometown greats. After doing some acting and performing in musicals, Diawara first toured the world as a back-up singer for [...]
[by Ken Hunt, London] This month's collection is a mixture of project-related listening and, that luxury, music listened to just for pleasure. In the latter case that doesn't happen too often. Rojda, Little Feat, Martin Simpson, Andy Cutting & Nancy Kerr, Peggy Seeger, Scarlett O' & 'the little big band', Jackson Browne & David Lindley, Jyotsna Srikanth, The Young Tradition, Kirsty MacColl and Tritonus.
Saliho Û Nûrê - Rojda
It is part of my life plan at least once a year to be introduced to new musical epiphanies, not just musical experiences - true, life-changing epiphanies. It doesn't happen every year. 2015 seems as if potentially it has already produced one. I listened - as in really, really listened - to Rojda as part of research for a project, TFF Rudolstadt 2015. She was a [...]
