Author Archive
[by Ken Hunt] Ahmet Ertegun will predictably be most remembered for the big acts and platinum hit-makers. He and Nesuhi Ertegun also pay-rolled a project of immense significance for the worlds of US vernacular music – folk, blues, gospel, work song and beyond. That project was Atlantic’s Southern Heritage Folk Series (1960), seven LPs, also released in Britain, culled from 80 hours of field recordings made sometimes under the most arduous, sometimes the most exhilarating of circumstances. It was the work of the white Texan folklorist, author and broadcaster Alan Lomax (1915-2002) and the Sussex-born folk singer Shirley Collins. Collins’ America Over The Water (2004) and her Arts Council-supported multi-media talk of the same name home in on that 1959 field trip
18. 6. 2012 |
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[by Ken Hunt, London] No blurb, just straight into this month’s music. This month summons Mahsa & Marjan Vahdat, Al Andaluz Project, Hedy West, The Ex, Scissor Sisters, George Mraz and Iva Bittová, Fairport Convention, Big Mama Thornton, Bill Monroe with Pete Rowan and Little Feat. As usual, loads of work-related currents. There’s a greater element of noise than usual this month. That’s down to other currents flowing around the fictitious island.
The Brown Girl – Hedy West
Hedy West was one of the most impressive musicians to emerge from the US folk scene in the early 1960s. For me, it is a marvel that so few people are aware of her massive contribution.
18. 6. 2012 |
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[by Ken Hunt, London] No blurb, just straight into this month’s music. This month summons the shades of The Band, Julie London, John B. Spencer, Andy Irvine & Dónal Lunny’s Mozaik, Khameesu Khan, Judy Collins, the Kronos Quartet, Emily Portman, Andy Irvine and the Bonzo Dog (Doo Dah) Band.
Tears of Rage – The Band
Dwelling on Levon Helm’s death on 19 April 2012 threw me into the kind of reflective mood that rarely occurs to me at least. The music that he played had been part of my growing. Like you do, I played a number of recordings that he appeared on while re-reading slabs of his autobiography, This Wheel’s on Fire: Levon Helm and the Story of the Band, co-written with the esteemed Stephen Davis.
18. 5. 2012 |
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[by Ken Hunt, London] Bass player Chris Ethridge (top right in photograph), who died on 23 April 2012 in his birth town of Meridian, Mississippi was one of the sidemen whose curriculum vitae was lit with musical magic and yet overshadowed in some way by one of his early excursions into working as a musician, even though he played bass with Willie Nelson during in the 1970s and 1980s.
Born John Christopher Ethridge II on 10 February 1947, he first made an impression with the Flying Burrito Brothers on their remarkable debut LP, The Gilded Palace of Sin (1969) with his bass playing and song credits. This group also included Gram Parsons on guitar (top left in photograph) and lead vocals, Chris Hillman, one of the founding members of the Byrds, playing stringed instruments
18. 5. 2012 |
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[by Ken Hunt, London] More music for a balmy life on the fictional desert island. April’s selections come courtesy of Christy Moore with Declan Sinnott, Madeleine Peyroux, Gangubai Hangal, Janis Joplin, Santana, The Spook of the Thirteenth Lock, Chumbawamba, Sheila Smith, the Grateful Dead and The Animals. Lots of Irish thoughts and thoughts about Ireland ripple through this month’s selections.
Gortatagort – Christy Moore with Declan Sinnott
John Spillane wrote Gortatagort (The Farm) about the place in Bantry, Co. Cork where his mother came from. Christy More imparts a real sense of presence to this song, though it took me seeing him perform it in concert for the song’s fuller magic to be uncorked
23. 4. 2012 |
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[by Ken Hunt, London] Originally written on the eve of London’s post-Valentine Peace March on 15 February 2003, this with little taken out or added.
Ace’s catalogue is a growing and contracting – call it pulsating – reminder to reinforce why I decided to specialise and limit my listening and writing habits for sanity’s sake.
6 It Was Just A Dream – Big Bill Broonzy with Albert Ammons
on Spirituals To Swing (169/71-2)
I was raised on jazz, swing jazz in particular, by my saxophone-tooting/toting father. Semi-pro at 14, he actively fought the Musicians’ Union last-ditch fuckwit prohibition of semi-pro musicians
16. 4. 2012 |
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[by Ken Hunt, London] Originally written on the eve of London’s post-Valentine Peace March on 15 February 2003 with little taken out or added.
Ace’s catalogue is a reminder why I decided to specialise and limit my listening but especially writing habits for sanity’s sake. Not all the people I wrote about in this piece are still alive, notably Ali Akbar Khan, one of my hugest musical influences.
1 Bass Strings – Country Joe and the Fish
on Electric Music For The Mind And Body – VMD 79244-2
Bass Strings bottles the essence of psychedelic music, a microcosm beside the cosmos of the Dead’s Dark Star>St. Stephen>The Eleven
2. 4. 2012 |
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[by Ken Hunt, London] Sometimes life gets in the way of unpaid writing and technical (internetmabob) matters in the way of uploading. Hence skipping a month. Not that February 2012 was so bad a month. More like the hours got rationed and paying work intruded. This month’s selections are from the UK-based band Durga Rising, the Czech vocalist-violinist Iva Bittová and Wilmar de Visser (bassist with the Nederlands Blazers Ensemble), the Carolina Chocolate Drops’ Rhiannon Giddens, Wizz Jones, El Hachemi Guerouabi, Shamim Ahmed Khan, Judy Collins, Phoebe Smith, Celia Hughes, Belinda O’Hooley and Heidi Tidow. Slaap zacht.
Go Down Easy – Durga Rising
Kuljit Bhamra (percussion), Russell Churney (piano) and Barb Jungr (vocals, harmonium, mandolin) deliver this album.
19. 3. 2012 |
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[by Ken Hunt, London] The mridangam virtuoso Palghat T.S. Mani Iyer, born 100 years ago in Palghat (the anglicised version of Palakkad) in Kerala, was one of the musical giants of the Twentieth Century. Prior to him, the mridangam had filled the subordinate time- and tempo-supporting role – the usual role of drums in both of the subcontinent’s art music systems and folk traditions. He was one of a generation of musicians that changed the complexion of South Indian music.
His vision and innovation was to shift the balance, so that, in his hands, the mridangam attained a greater melodic role with phrasing that reflected the words, whether sung or unsung. He redefined the artistry of the South’s principal barrel drum and rewrote the figurative book, inspiring such mridangists as Palghat R.
23. 1. 2012 |
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[by Ken Hunt, London] The batch of donuts has a great deal, on one hand, to do with current commissions; and on the other, choosing music that had nothing to do with work. The music is courtesy of Bessie Smith, The Kossoy Sisters with Erik Darling, Damien Barber & Mike Wilson, Rosa Imhof, Ida Schmidig-Imhof and Frieda Imhof-Betschart, Nusrat Fateh Ali Khan & Party, Martin Hrbáč, The Notting Hillbillies, Mobarak and Molabakhsh Nuri, Vishwa Mohan Bhatt & Musicians of Rajasthan and Peter Case.
Frosty Morning Blues – Bessie Smith
This performance from January 1924 has a bare-bones accompaniment. Jimmy Jones (piano) and Harry Reser (guitar) do the honours. E. Brown’s slow blues starts out lyrically as a quite predictable tale, the sort of blues terrain where you can see the rhymes coming.
9. 1. 2012 |
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