Author Archive
[by Ken Hunt, London] Ali Akbar Khan shuffled on stage with a walking stick, reasonable given he was one week away from 81. By night’s end, all memories of the frail character that had mounted the dais at the concert’s beginning had vanished. Swapan Chaudhuri, one of the most exceptional tabla players alive, provided the percussive accompaniment – a job a bit like catching eels with bare hands. He has an uncanny knack of being able to match and bat back this sarodist’s glorious spontaneity. Alam Khan was the second, junior sarodist but he coped brilliantly with his father’s senior waywardness. Ken Zuckerman, one of Khan’s senior disciples and head of his Basel college, and Malik Khan, Khan’s next son down after Alam, provided the drone accompaniments
21. 6. 2010 |
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[by Ken Hunt, London] Even though this month’s choices are skewed and heavily informed by volumes 7-9 in Smithsonian Folkways’ Music of Central Asia series, in terms of preference, as usual, there is no order implied and no order to be inferred. As ever, the common link to May 2010’s GDDs is that this is music that stuck around. This month we meet, greet and embrace Jackson Browne David Lindley, Barb Jungr, the Kronos Quartet with Alim & Fargana Qasimov, Asha Bhosle, Les Byrds, Sirojiddin Juraev, Homayun Sakhi and Rahul Sharma, Jiři Kleňha and Neneh Cherry and Youssou N’Dour.
7. 5. 2010 |
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[by Ken Hunt, London] London’s National Portrait Gallery is currently offering two marvellous exhibitions of Indian art. Admission is free and while they may not appear to cast much light of the subcontinent’s musical arts, amid the huqqa smokers, the military figures, nobility and royalty, there are a few correlations between Indian portraiture and aspects of the subcontinent’s music to interest the musically minded.
The Indian Portrait 1560-1860 draws on works from successive Mughal courts, from an era when patronage – sponsorship in the modern arts vernacular – was keen to log its movements in an era before photography
7. 5. 2010 |
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[by Ken Hunt, London] Folk music everywhere goes through changes of style and presentation. Little is immune to change. That applies whether we are considering traditional or revivalist forms. After all, everything starts from somewhere before going somewhere else. Very little is fixed in a stone. The US folksinger Susan Reed, who died on 25 April 2010 in Long Island, New York State, had a relatively short-lived but important part to play in the East Coast folk scene of the second half of the 1940s into the 1950s.
Born Susan Catherine Reed in Columbia, South Carolina on 11 January 1926, she grew up in a theatrical family. Her father, Daniel was in the film industry while her mother, Isadora was a theatrical publicist
7. 5. 2010 |
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[by Ken Hunt, London] Ralph McTell is one of Britain’s foremost commentators on the national condition using demotic idioms – folk, blues, ragtime. Rather like Wolf Biermann, Franz-Josef Degenhardt and Christof Stählin in Germany (and then add your own regional or national candidates), he has depicted his homeland through music, through songs, that meanings of which seem immediately apparent but which may well prove to be more eely or oblique.
This snippet is drawn from a long interview conducted in September 2006 for an article that appeared at the time of the release of the self-effacing man’s 4-CD boxed set, The Journey – Recordings 1965-2006 (Leola OLABOX60) that David Suff put together for the label.
2. 4. 2010 |
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[by Ken Hunt, London] April and another month in music rolls around and brings ten snapshots of what got played oodles. This divine bumper pack of GDDs comes courtesy of Broadlahn, David Lindley & Wally Ingram, Fred Astaire, Reem Kelani, Rajan Spolia, the Grateful Dead, Bonnie Dobson, Peerie Willie Johnson, Abida Parveen and Mac Rebennack.
Bua von Muata Natur – Broadlahn
The Graz-based Austrian folk fusion group Broadlahn was founded in 1982 and took their name from the dialect word Broadlahn which means a wide avalanche as well as being the name of an area of alpine pasture in Austria’s Upper Styria region. Bua von Muata Natur is a setting of the Beatles’ song Mother Nature’s Son from Broadlahn’s first album. (Bua is a southern idiom for son or boy
2. 4. 2010 |
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[by Ken Hunt, London] March’s stuff and nonsense comes from Mickey Hart and chums, Joni Mitchell, The Carolina Chocolate Drops, Bob Bralove and Henry Kaiser, Wajahat Khan and the Medici String Quartet, The Six and Seven-Eights String Band, Jo Ann Kelly, Dillard & Clark, Farida Khanum and Sohan Nath ‘Sapera’.
Rolling Thunder/Shoshone Invocation into The Main Ten (Playing In The Band) – Mickey Hart
In 1972 I clapped eyes on Kelley/Mouse’s Rolling Thunder cover artwork in a record rack in the tiny Virgin record store at Notting Hill Gate. It shone out that in some way it was Grateful Dead-related. It turned out that it was the Dead’s absentee drummer Mickey Hart’s solo debut. The opening track sequence draws on and draws in so many threads
11. 3. 2010 |
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[by Ken Hunt, London] This month’s prime quality stuff offers up some seriously magnificent music. This time round on the Banquet Isle with the hole in the middle, Joseph Spence and the Pinder Family, Steeleye Span, Emily Portman, Chumbawamba, Jenny Crook and Henry Sears, Eddi Reader, Lennie Tristano, Kate & Anna McGarrigle, Incredible String Band and KK are serving up the goodies.
I Bid You Goodnight – Joseph Spence and the Pinder Family
Manumission is a ‘big’ word in several senses. It means a release from slavery. (The Shorter Oxford Dictionary finesses its meaning better if more wordily.) The day I first heard I Bid You Goodnight, a piece of musical magnificence if ever, upstairs in Collet’s folk department in New Oxford Street in London was a day my life changed forever
11. 2. 2010 |
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[by TC Lejla Bin Nur, Ljubljana] Bonjour (Barclay/Universal, 2009) is Rachid Taha’s eighth studio album since he started on his solo path in 1990. During this time he had released at least two Best Ofs, a hefty pile of remixes, extras & vinyl for collectors and a few concert albums and projects, notably the world-wide resounding success 1, 2, 3, Soleils with Khaled and Faudel in 1998. Before all that, way back in 1980’s, he also recorded about two and a half albums with his band Carte de Sejour
10. 2. 2010 |
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[by Ken Hunt, London] Peggy Seeger was one of people like Ramblin’ Jack Elliott and Big Bill Broonzy and Cisco Houston whose records introduced Britain to an authentic lexicon of Americana. That word didn’t exist in the 1950s but if it had those musicians would have pretty much defined it. In that period, as far as Cold War Britain of the 1950s was concerned, American music was a unholy trinity of the crypto, wannabe and cod. Skiffle, Britain’s first youth movement, was a hugest craze but, as an American, Peggy Seeger had a head start.
By the time Peggy officially relocated to England in 1959, the folk scene was largely a young person’s scene
1. 2. 2010 |
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