[by Ken Hunt, London] Ola Brunkert is probably the strongest contender for the drummer you’ve heard the most whose name you don’t know. The Swedish drummer played on nearly every Abba recording from 1972 to their dissolution in 1982. Born in Örebro in Sweden on 15 September 1946, Brunkert’s musical background was primarily blues and jazz.
2. 4. 2008 | read more...
[by Ken Hunt, London] The Jamaican musician, record producer, DJ and broadcaster died 15 March 2008
2. 4. 2008 | read more...
[by Ken Hunt, London] In 1969 the Toronto-born Canadian folksinger and guitarist Bonnie Dobson arrived in England and never really left. She settled in London, raised a family and eventually largely dropped out of making music. Part of the first wave of Canadian folksingers that made their names down south, she had established her name in the United States and once in England chose to disappear off the radar after 1989. More or less. Because every so often – well once in 2007 and 2008 – she has put her head above the parapet. When she sings you go, even if it is a dimly lit, out of the way place above a pub in Chalk Farm.
Time and geography have draped a veil over much of what she did in the early 1960s
14. 3. 2008 | read more...
[by Ken Hunt, London] The folklorist, folk and ethnic music collector, author, radio broadcaster and producer Henrietta Yurchenco died in Manhattan on 10 December 2007 at the age of 91. She was one of the great links between the racially integrated and progressive-minded US folk scene of the 1930s and 1940s and the folk boom of the 1950s and 1960s, Over the course of her long life in music – the title of her autobiography Around the World in 80 Years (2003) was apt – she was a shaping influence in what people understood by folk music and a kingpin of ethnomusicology and world music.
Born Henrietta Weiss in New Haven, Connecticut on 22 March 1916, her parents – Yitzak (Edward) and Rebecca Weiss – were immigrants from the Ukraine
14. 3. 2008 | read more...
[by Ken Hunt, London] Buddy Miles was best known as a powerhouse drummer, most famously for his work with Jimi Hendrix on Band of Gypsies – the ensemble with bassist Billy Cox – that followed the Jimi Hendrix Experience. It was a short-lived band and the 1970 album, drawing on a New Year’s live set recorded on the cusp of 1969-1970, polarised opinion. The memory most people will have of him was his sound-turned-machine drumming on Machine Gun on Band of Gypsies. Thanks to Coppola’s Apocalypse Now, the sound of helicopter rotor blades..
29. 2. 2008 | read more...
[by Ken Hunt, London] The Australian folklorist, illustrator, author and one of the pioneers of the Australian Folksong Revival Ron Edwards died on 5 January 2008. He wrote and published extensively over his lifetime on folksong, bushcraft, story telling and linguistics. Simply put, he was a hugely important and influential figure for Australian folk music and anthropology. From 1984 until 2007 he was president of the Australian Folklore Society and edited the Australian Folklore Society Journal. He also wrote widely about Australian folkways, whether Australian folksong, bushcraft or the aboriginal cultures of Australia and the Torres Straits. A skilled painter, he illustrated many of his books himself
Edwards was born in Geelong, Victoria on 10 October 1930
21. 2. 2008 | read more...
“I have seen fear and convenience/I have never glimpsed romance.”
[by Ken Hunt, London] Thao Nguyen’s We Brave Bee Stings And All, produced by Tucker Martine (The Decemberists, Mudhoney and Sufjan Stevens), is one of those fine vehicles that hurtle down the turnpike causing the listener to do a double take or three. On a casual listening or initially you’ll get carried along with a banjo-driven song like Swimming Pools without taking in the lyrical context. But then a line like “We splash our eyes with chemicals” drops like bait. And in introducing ideas of The Beauty Myth kind, it plants a tiny barb securely in your mouth before reeling you in
21. 2. 2008 | read more...
[by Ken Hunt, London] Hungary is one of Europe’s most productive hothouses for truly revelatory female singers. Once upon a time in Western Europe Márta Sebestyén was all we knew of Hungarian singers. She was our Hungarian sun and moon, earth and horizon. Mind you, starting at the top was not necessarily a bad thing. But it was only getting the chance to see her fly vocally in concert that it truly hit home how world-class a singer she was. In my experience, it is in the live situation that Hungarian music truly reveals its depth and its heights. That applies to most music with a living, beating heart. Despite the generational gap and the apparent differences in their music and approaches, Sebestyén Márta and Szalóki Ági are names fit to speak in the same breath.
Wit
27. 1. 2008 | read more...
[by Ken Hunt, London] London’s embassies regularly host exhibitions, talks, artist showcases and recitals. Generally speaking, these events are free. The Czech Embassy situated on the leafier fringe of London’s Notting Hill district is no exception. Its showcase featuring the classical violin maestro Pavel Šporcl stands out in my memory. But British Sea Power launching their new album Do You Like Rock Music? on embassy grounds? It neither conformed to embassies promoting their own nation’s artists, nor, on the face of it, did it seem the likeliest venue.
I approached reviewing British Sea Power’s album launch gig in a way seldom possible for a full-time freelance journalist.
27. 1. 2008 | read more...
[by Ken Hunt, London] A native Californian, the singer and songwriter and one-time member of the Kingston Trio folk group, John Stewart was born in San Diego on 5 September 1939. Stewart’s album California Bloodlines (1969) and Cannons in the Rain (1973) were major additions to a literature of America in song. Major milestones too. His Mother Country typifies the reflective nature of his finest songs. Like the work of the Canadian songwriter Ian Tyson, Mother Country..
27. 1. 2008 | read more...