Lenore Kandel (1932-2009)
2. 11. 2009 | Categories: Articles,Lives
"When a society is afraid of its poets, it is afraid of itself. A society afraid of itself stands as another definition of hell." - Lenore Kandel
[by Ken Hunt, London] The Beat poet and counter-culture activist Lenore Kandel died on 18 October 2009 aged 77 in her adopted home town of San Francisco. There is a lazy default setting to think of the Beat movement as being primarily a male preserve. Yet women were also actively involved not only as muses but also as writers and activists. Kandel was doubly important in that regard because she was part of California's Beat movement and its hippie movement.
She was born in New York City on 14 January 1932; she was taken as a babe-in-arms to California where her writer father busied himself writing fiction and Hollywood screenplays
[by Ken Hunt, London] An Echo of Hooves represented a career milestone for the English folksinger June Tabor. In February 2004 its Hughie Graeme was named 'Best Traditional Track' and she received the accolade of 'Singer of the Year' in the BBC Radio 2 Awards. That though is transitory, foreign stuff, for her album An Echo of Hooves was a summation of decades spent learning how to work with, and work out the emotions contained in Anglo-Scottish balladry.
An Echo of Hooves was a culmination of decades of running ballads through the filter of her grey cells. "I've been singing ballads ever since I discovered traditional music," she says. "You'll find ballads, even if it's just one, on most of the albums
Most months' choices reflect deadlines and commissions with a pinch of music for pleasure. This month's choices are Wenzel & Band, Martin Carthy, Javed Bashir, Sophie Harris and Ian Belton, Carol Grimes, Bob Dylan, Wasifuddin Dagar and Bahauddin Dagar, Alistair Anderson, Kaushiki Chakrabarty and Jackson Browne. As ever, they are in no particular order. Their only link is that none of them would go away. This month's selections deliberately sidestep the Best of 2009 polls, even though it is that time of the year for such musings for December and January titles
[by Ken Hunt, London] The US record producer, engineer and mixer Greg Ladanyi, who worked with, amongst others, Jackson Browne, Fleetwood Mac, Jeff Healey, Don Henley, Los Jaguares, David Lindley and Warren Zevon, died on Cyprus on 29 September 2009. He died of the consequence of an accident on stage whilst touring with the Greek Cypriot singer Anna Vissi whose album Apagorevmeno (2008) he had co-produced.
Ladanyi won a Grammy Award for 'Best Engineered Recording - Non-Classical' with his co-engineered Toto IV in 1982 - a period that found the session musician spin-off band Toto at a peak of their critical and commercial success
Ken Hunt looks back on a month's listening reflecting music influenced by work, travel and returning home. The moments are supplied this time by Cass Meurig and Nial Cain, Angelika Weiz & GVO, Ravi Shankar, Judee Sill, the Velvet Underground, the Young Tradition, Johnny Jones, Roy Nathanson, Asha Bhosle and Rahul Dev Burman and Ewan MacColl. As ever, the ten selections are in no particular order. Their only link is that over the month none of them did a bunk
Ken Hunt looks back on a wonderful month in music, advanced somewhat because of travel, provided by Amira Medunjanin and Merima Ključo, Bea Palya, Mike Seeger, Sachal Studios Orchestra, Tim Buckley, Faustus, Martina Musters-Musters, Johanna Huygens-Musters and Suzanna de Vos-Musters, Fernhill, Bai Hong and David Crosby. As ever, the ten selections are in no particular order and the only link is that none of them would go away.
Karanfil Se Na Put Sprema - Amira Medunjanin and Merima Ključo
Amira's London debut in 2007 at the Barbican was memorable. "Amira was born at a time when the popularity of traditional music in the former Yugoslavia was at high tide," it says on her website. On this recording - Zumra means 'Emerald' - the mood is largely sombre.
[by Ken Hunt, London] Neil Young once stated, "The great Canadian dream is to get out." It was certainly what three fifths of Buffalo Springfield did when they joined the California-based rock group's US contingent, Stephen Stills and Richie Furay. In 1966 Young and Bruce Palmer - the band's original bassist - had headed south in a 1953 Pontiac hearse with Ontario plates. Minds set on forming a rock group and already working up Young's Nowadays Clancy Can't Even Sing, Furay and Stills famously spotted the Canadians driving in the opposite direction on Sunset Boulevard. (Stills had already met Young in Thunder Bay, Ontario and had been taken.) Furay executed some nifty pursuit-chase driving and caught up with them before they hit the highway to head home
[by Ken Hunt and Peter Bellamy: London] In 1986 after one of his concerts the English folksinger Pete Bellamy and I formulated the idea of Giant Donut Discs ®. It came out of a conversation about the wish to create a mutant version of Roy Plomley's Desert Island Discs BBC radio programme - http://www.bbc.co.uk/programmes/b006qnmr - for the magazine Swing 51.
Instead of the stranded person coming up with tracks to take to the proverbial desert island, Pete and I wanted something capricious, totally of the moment, something that was ten pieces of music that were filling people's heads right then and now - not the considered weightiness of someone stranded on the BBC's desert island.
The principle was first thoughts, best thoughts - the old Beat adage.
[by Ken Hunt, London] The Dutch counter-culture poet, writer and painter Simon Vinkenoog died in Amsterdam on Saturday, 12 July 2009, a few days before his 81st birthday. Born on 18 July 1928 in Amsterdam, Vinkenoog was the child of a lone parent family raised in the De Pijp part of Amsterdam's Oud-Zuid (Old South) district.
As a writer, he became part of the Netherlands' post-war flowering of small literary titles, editing the short-lived magazine Blurb followed by the bloemlezing (anthology) Atonaal - a manifesto of intent of the literary collective self-styled 'atonal poets' known as the Vijftigers (50ers)
Ken Hunt's month in music - the stuff in no particular order that either wouldn't let go or wouldn't go away
