Giant Donut Discs® – Julian Dawson (1988)
[by Ken Hunt, London]
Swing 51‘s Giant Donut Discs® column gathered musical snapshots from all manner of people. These were Julian Dawson’s GDDs as published in Swing 51 issue 13/14 with annotations and updates. This is one in our series of Donuts from the vaults. For information about Julian’s musical activities, visit his official website at the bottom of his Donuts. (And how frequently does a writer get to write that?) In April 2010 the German-language edition of his biography of the pianist Nicky Hopkins appeared.
17. 7. 2010 | read more...
[by Ken Hunt, London] This time around on the desert island’s solar powered phonogram we have Trembling Bells, Buddhadev Das Gupta, Andy Cutting, Maggie Holland, Polkaholix, Jackson Browne, Shirley & Dolly Collins, Eliza Carthy and Norma Waterson and The Bells of St. Margaret’s, Westminster (under Tower Captain George Doughty). Plus for a limited period on the internet, July 2010’s special offer, a bonus donut from David Lindley and Wally Ingram.
[by Ken Hunt, London] This time around on the desert island phonogram we have Amira Medunjanin and Merima Ključo, Dave Swarbrick, Bea Palya, Elizabeth Cotten, Leonard Cohen, Marlene Dietrich, Vishwa Mohan Bhatt & Matt Malley, Kraftwerk, Jerry Garcia, Leonard Cohen, and Illa Arun, Sapna Awasthi & Kunal Ganjawalla.
Ali Akbar Khan shuffled on stage with a walking stick, reasonable given he was one week away from 81. By night’s end, all memories of the frail character that had mounted the dais at the concert’s beginning had vanished. Swapan Chaudhuri, one of the most exceptional tabla players alive, provided the percussive accompaniment – a job a bit like catching eels with bare hands. He has an uncanny knack of being able to match and bat back this sarodist’s glorious spontaneity. Alam Khan was the second, junior sarodist but he coped brilliantly with his father’s senior waywardness. 
[by Ken Hunt, London] Even though this month’s choices are skewed and heavily informed by volumes 7-9 in Smithsonian Folkways’ Music of Central Asia series, in terms of preference, as usual, there is no order implied and no order to be inferred. As ever, the common link to May 2010’s GDDs is that this is music that stuck around. This month we meet, greet and embrace Jackson Browne David Lindley, Barb Jungr, the Kronos Quartet with Alim & Fargana Qasimov, Asha Bhosle, Les Byrds, Sirojiddin Juraev, Homayun Sakhi and Rahul Sharma, Jiři Kleňha and Neneh Cherry and Youssou N’Dour.
[by Ken Hunt, London] London’s National Portrait Gallery is currently offering two marvellous exhibitions of Indian art. Admission is free and while they may not appear to cast much light of the subcontinent’s musical arts, amid the huqqa smokers, the military figures, nobility and royalty, there are a few correlations between Indian portraiture and aspects of the subcontinent’s music to interest the musically minded.
[by Ken Hunt, London] Folk music everywhere goes through changes of style and presentation. Little is immune to change. That applies whether we are considering traditional or revivalist forms. After all, everything starts from somewhere before going somewhere else. Very little is fixed in a stone. The US folksinger Susan Reed, who died on 25 April 2010 in Long Island, New York State, had a relatively short-lived but important part to play in the East Coast folk scene of the second half of the 1940s into the 1950s.
[by Ken Hunt, London] Ralph McTell is one of Britain’s foremost commentators on the national condition using demotic idioms – folk, blues, ragtime. Rather like Wolf Biermann, Franz-Josef Degenhardt and Christof Stählin in Germany (and then add your own regional or national candidates), he has depicted his homeland through music, through songs, that meanings of which seem immediately apparent but which may well prove to be more eely or oblique.